The mystery behind Mavis Beacon, the face of the beloved 1980s typing software, has intrigued generations. Some even grew up believing Mavis was a real Black woman who helped people master the keyboard. But as filmmakers Jazmin Jones and Olivia McKayla Ross reveal in their thought-provoking NEON documentary “Seeking Mavis Beacon,” the woman behind the digital figure was never a typing teacher at all—in fact, she wasn’t even real.
Jones and Ross take viewers on a journey through the origins of Mavis Beacon, a character created by software company The Software Toolworks, whose developers were determined to offer an educational tool featuring a positive representation of a Black woman. The face of Mavis belonged to Haitian-born model Renée L’Espérance, but the persona of Mavis Beacon was entirely fictional.
“We were fascinated by how something so significant in many of our childhoods was built on a fabrication,” says Ross. “It really made us question the implications of using a Black woman’s face in a way that stripped away her identity.”
Jones adds, “It’s more than just nostalgia. Mavis Beacon represents many of the complexities surrounding race and representation in digital spaces. What does it mean when a fictional figure becomes more iconic than real people who might have paved the way in those fields?”
The documentary goes beyond unmasking Mavis Beacon’s origins. It delves into broader themes of identity and digital ownership, exploring how Black faces are often used as stand-ins for progress without giving real credit to Black creators.
For both Jones and Ross, the project was personal. “I grew up with Mavis Beacon,” says Jones. “But we wanted to show that even in these seemingly innocent, educational spaces, race and representation still play a significant role.”
“Seeking Mavis Beacon” reminds us that it’s important to question who’s behind the images and stories that shape our world. Even digital icons can reflect deeper truths about culture and identity.
